Review: Polaroid Optics Variable ND Filter vs. LightCraft Workshop Fader ND Mark 2

So I have been told that a Variable ND filter is a must for recording video, especially in event situations (like weddings) where you have no control over lighting. And since your shutter speed is usually fixed, your preference for aperture is generally set, leaving really only a small window with ISO - a variable ND filter just makes things so convenient. At least, more convenient than using set ND filters.

After using a variable ND filter, I definitely agree that they are a must have - though they do come with their drawbacks.

Currently I own the Polaroid Optics Variable ND Filter and the LightCraft Workshop Fade ND Mark 2. The former runs around $55, depending on what size, and the latter runs around $129, also depending on what size you get.

Here are some test shots with them. 

Images were shot with a Canon 5DmkIII, using a 70-200mm f2.8L, at the 200mm range. 

Image with Fader ND Mark 2

Image with no ND filter

Polaroid Optics Variable ND filter

Notice the striations in the bokeh in the Polaroid VND image, especially in the yellow marigolds. Also, you can see how the contrast flattens with the VND filter in place, as compared with the original image.

Fader ND Mark 2, enlarged image for detail

Image without ND filter, enlarged for detail

Polaroid Variable ND filter, enlarged image

Here you can notice the lessening of detail when a VND is used, though this is more apparent when pushed to maximum zoom in zoom lenses. The plant images have been enlarged to show both the striation drawback and detail loss.

And lastly, here is an image using the 24mm f1.4L with the 5DmkIII.

Image using the LightCraft Workshop Fader ND Mark 2, set to "MAX" setting on the filter

Image shot with Canon 5DmkIII and 24mm f1.4LImage using the Polaroid Optics VND, set to "MAX" setting on the filter

Lastly, you notice a distinct, almost "X" pattern that developes near the maximum setting of the VND, as regards exposure. Instead of the clean exposure across the image, some areas are darkened more so. You can begin to see the "X" pattern starting around the mid range of the two filters.

However, once again, the LightCraft Workshop filter does a better job than the cheaper Polaroid Optics filter.

Overall, I still think the VND filter is a necessity for the videomaker, but they do come with unintended drawbacks.

Making of WHAT I...

So I think I've finally been able to complete my COLOR TEST PROJECT. This is the third generation of the idea, and I think it's finally finished and I can stop going back to it.

Of course with my ever favorite KK in it. The coloring process can be see here below:

All footage was shot on the Canon 7D with a 24mm f1.4L USM lens.

Edited in Adobe Premiere Pro, first color process was in Redgiant Softeware's Magic Bullet Colorista Free 1.0, and the second color process with some FX was done with Digieffects Aged Film.

I shoot only in Technicolor Cinestyle, but the majority of the footage was not shot using it since I hadn't yet adopted the Technicolor Cinestyle at the time, but I highly recommend that picture profile.

"haircut" video

Newest project was "haircut" and was shot thanks to Ashleigh and Heather who allowed me to wander around and shoot some video during a recent salon visit.

Shot at 2940 Salon, using the Canon 7D with 24mm f1.4L, edited in Adobe Premiere Pro, colored with Red Giant Magic Bullet Looks, using the Manfrotto 561 hdv monopod.

Music by Orphan Songs.